Part 5 from Global Reunion
0 Full Score A3 - 1 Full Score - 1 Piccolo - 8 Flute - 2 Oboe - 1 English Horn - 2 Bassoon - 1 Clarinet Eb - 5 Clarinet I - 10 Clarinet II + III - 1 Bass Clarinet - 2 Alto Saxophone I - 2 Alto Saxophone II - 1 Tenor Saxophone I - 1 Tenor Saxophone II - 1 Baritone Saxophone - 3 Trumpet I - 6 Trumpet II + III - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Trombone Bass C - 2 Euphonium C - 2 Euphonium Bb (BC) - 4 Euphonium Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Percussion I - 1 Glockenspiel
The longest trip we make is to the Far East. Japan, China, Tibet,… all countries with an enormous cultural background and history. Percussion is very important here to give a rich dimension to this Japanese 'Black Bamboo' theme. Tam-tam, Chinese cymbals, Tibetan gong and a kododrum (if not possible, large floor tom) together with marimba and glockenspiel are used all the time in a carefulway. A solo cornet presents the main theme that is answered by the whole lower brass section. Whilethis theme develops now and then the sounds of the impressive 'dung' is heard. (dung is the Tibetan very large trumpet-like instrument with loud and very deep sounds) In a quicker tempo Eb bass, euphonium and solo cornet start with the theme and even the counter theme. The whole group joins the party but everything ends very silently with mute.
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