Three Pictures for Band (Score)

Score only

0 Full Score A3 - 1 Full Score - 2 Solo Instr. Bb (BC) - 2 Solo Instr. Bb (TC) - 2 Solo Instr. C - 2 Solo - 2 Soprano - 4 Solo Cornet - 4 Repiano - 2 Flugelhorn I - 4 Cornet II - 4 Cornet III - 2 Horn I Eb - 2 Horn II Eb - 2 Tenorhorn I - 2 Tenorhorn II - 2 Trombone II C - 2 Trombone II Bb (TC) - 2 Trombone II Bb (BC) - 2 Trombone IV C - 2 Trombone IV Bb (TC) - 2 Trombone IV Bb (BC) - 2 Baritone Bb (TC) - 2 Baritone II Bb (TC) - 2 Bas Bb (TC) - 2 Bas Eb (TC) - 2 Tuba C - 2 Percussion I - 2 Percussion II - 1 Timpani

This composition consists of three sound pictures. Numerous associations mutually link those parts as far as motifs and harmony are concerned. The motif of the ascending and descending fourth plays an important role in many a theme. There are many fourth chords by means of which I try to put a harmonic and unifying stamp on the composition as a whole. Moreover there are similar or identical, though varied, motifs in the successive parts. The first part 'Cortège' (Procession) describes the dignified majestic procession by means of simple, precise rhythms. At first, the music is scarcely audible, as if coming from a distance; it gradually comes nearer until it reaches its climax in large chords, before fading away again. At each quarter note one could imagine a step. The second part 'Dialogue' consists in broad outlines of dialogues between the different orchestral groups. Some instruments are asking questions, others are giving answers. After a rather sad passage, the music turns into a climax followed by a second passage that brings comfort and leads to a quiet ending. In the third part, there is a sudden movement coming up in the shape of 'Waves'. The principle of the wave, successively swelling and decreasing, dominates the entire musical structure of this part, even in the separate motifs.Oliver Waespi