Concerto for Trumpet part 1

0 Full Score A3 - 1 Full Score - 1 Solo - 1 Piccolo - 8 Flute I + II - 2 Oboe I + II - 1 English Horn - 2 Bassoon I + II - 1 Contra Bassoon - 1 Contrabass Clarinet - 1 Clarinet Eb - 5 Clarinet I - 5 Clarinet II - 5 Clarinet III - 1 Alto Clarinet Eb - 1 Bass Clarinet - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 2 Cornet I - 2 Cornet II - 2 Trumpet I - 2 Trumpet II - 2 Trumpet III - 2 Horn I + II Eb - 2 Horn I + II F - 2 Horn III + IV Eb - 2 Horn III + IV F - 2 Trombone I C - 1 Trombone I Bb (BC/TC) - 2 Trombone II C - 1 Trombone II Bb (BC/TC) - 2 Trombone III C - 1 Trombone III Bb (BC/TC) - 2 Baritone C - 2 Baritone Bb (BC) - 4 Baritone Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Stringbass - 1 Harp - 1 Percussion - 1 Percussion Various - 1 Xylophone - 1 Timpani

The five movements of this concerto, each, by design, in a different musical style, and requiring the soloist to perform on the three main soprano bass instruments: Trumpet, Cornet and Fluegelhorn, were written to demonstrate the modern trumpeter's ability to negotiate and produce a convincing interpretation in five different musical styles. The first movement, ‘Sonata’ is cast in a typical neo classical mode, calling the soloist to perform on the Trumpet; the second, ‘Slow Blues’ calls for Fluegelhorn; the third, ‘Jazz Waltz’, calls for Cornet; the fourth; ‘Song’, a modern setting of an old Taiwanese folksong, calls for Trumpet again; and the fifth, ‘Samba’, concludes the work with a brilliant outburst of Latin American rhythms and colors.